{"title":"Valokuvaajat G","description":null,"products":[{"product_id":"timothy-greenfield-sanders-xxx-30-porn-star-portraits","title":"Timothy Greenfield - Sanders - XXX: 30 Porn - Star Portraits","description":"\u003cp\u003eHB: 144 pages\u003cbr\u003e\nPublisher: Bulfinch (October 1, 2004)\u003cbr\u003e\nLanguage: English\u003c\/p\u003e\n\u003ch3\u003eLisätiedot\u003c\/h3\u003e\n\u003cp\u003eXXX by renowned photographer Timothy Greenfield-Sanders, features cleverly paired portraits (one clothed and one nude) of the top stars in pornographic film. A cross-section of straight and gay men and women is represented, from porn legends to rising stars. Performers in the book include celebrities like Jenna Jameson (the leading porn star of our time), Ron Jeremy, and Nina Hartley, as well as fast-rising names like Sunrise Adams, Bella Donna and Chad Hunt. The book will also feature short essays on the intersection of pornography and culture by a wide range of distinguished writers, including Salman Rushdie, Francine du Plessix Gray, John Malkovich, Nancy Friday, and John Waters. XXX is a landmark artistic work that will contribute to the ongoing debate about the 'pornification' of the culture at large.\u003c\/p\u003e","brand":"Timothy Greenfield-Sanders","offers":[{"title":"Default Title","offer_id":55041943929159,"sku":"9780821262085","price":29.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1010\/2420\/3079\/files\/30porn_0512_a6d_1.jpg?v=1789561236"},{"product_id":"flor-garduo-witnesses-of-time","title":"Flor Garduño - Witnesses of Time","description":"\u003cp\u003eHB, 166 pages, 72 photos\u003cbr\u003e\nAperture\u003cbr\u003e\nLanguage: English\u003c\/p\u003e\n\u003ch3\u003eLisätiedot\u003c\/h3\u003e\n\u003cp\u003eWitnesses of Time collects Flor Garduño’s remarkable pictures where the sacred and symbolic are revealed in daily life. In remote corners of Central and South America, native Indians continue to practice ancient rituals as they have for millennia. Their rites embody a distinct worldview and a unique perception of time. The result of travels through ritual towns in Mexico, Guatemala, Peru, Bolivia and Ecuador, Witnesses of Time encompasses landscape, architecture, ceremonies, tableaux and individual portraits. Figures in Garduño’s evocative images become clues to the spirituality of the Indian cosmos. Landforms hint at other as unseen orders of being. Common acts take on an extra dimension through their ritual associations, in communities that still retain their ties to the environment. 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This unique photographic project resulted in a near-complete documentation of the major archaeological sites and important landscapes in the region. The book includes spectacular images of ancient citadels, desert ruins, and rice fields spreading like a vast patchwork quilt in a river delta. There are many unexpected sights, such as the bird’s-eye view of a crowded ski resort in the Elburz Mountains, within easy reach of Tehran. Iran’s densely packed cities, such as Bushehr, located on the Persian Gulf, are elegantly captured by Gerster. They appear so very different from Western European or North American cities of the same period; the complex, interlocking flat-roofed buildings are both timeless and timely, with architecture that has stood unchanged for thousands of years, along with brightly-colored 1970s cars parked in the colonnaded courtyards. Even the Iranian landscape contains surprises: on closer inspection, the elaborate patterns made in fields with tractors and ploughs turn out to have more to do with politics than agriculture or land art. A law at the time Gerster was photographing allowed people to claim unused land by planting crops on it, and this type of ''agridoodle'' was apparently enough to support such a claim. Persia is the ancient name of the region we now know as Iran. We still reference the country’s long and rich cultural heritage when we speak of Persian carpets and Persian miniatures, of Persian language, history, and literature. In her introduction to this book, Iranian-born writer Maryam Sachs lists some words borrowed from the Persian language by English speakers, including azure, bazaar, gazelle, magic, musk, tapestry, scarlet, narcissus, and paradise. These words offer insight into the country’s landscape, inhabitants, and traditions – influences that have indirectly shaped the photos in the book. 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Yet if you happened to live in the West African country of Benin during the 1960s and 70s, photography was quite literally a matter of life and death. It is a commonly held belief in many non-Western cultures that a person’s soul lives on, as if trapped, within the photograph. In Benin, with its rich spiritual traditions of animism (voodoo is now Benin’s official religion), whereby fetishes or objects are regarded to embody powerful spirits, the photograph came to play a fascinating role in the rituals of death. This unique collection of portrait photography, painstakingly assembled and conserved by the West African art specialist Alex van Gelder, opens an entirely new chapter in the history of African and world photography. Most people’s knowledge of African photography is limited to the Bamako school of Mali, whose masters Seydou Keita and Malick Sidibé were discovered at the beginning of the 1990s. But where Keita and Sidibé worked predominantly in the town, taking pictures of a young urban population keen to establish the modernity of their lives, here in Benin the photographers were often very ambulant, travelling by bicycle to far flung places to find their clients, and sometimes developing their exquisitely crafted photographs in makeshift darkrooms constructed in the bush. Marked by dark dramas and deep mysticisms, these portraits record a people caught between a pre-colonial past and a post-colonial future. For many of the people in the photographs it would be their first and last encounter with a photographer. Among the weddings and communions, the courting couples and proud parents, lie startling images of revenants and juju men, voodoo priests and priestesses, thieves and assassins, prostitutes and pimps, and an extraordinary sequence of 'après-mort' or death-bed portraits. This unique and groundbreaking assimilation of rare images – analysed by poet and curator Okwui Enwezor, one of the world’s great authorities on twentieth-century African culture – brings to life a series of mysterious stories from a context that is stigmatized by a tumultuous history.\u003c\/p\u003e","brand":"Phyllis Galembo","offers":[{"title":"Default Title","offer_id":55043086778695,"sku":"9780714845135","price":60.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1010\/2420\/3079\/files\/51t3lms15hl-_sx429_bo1_204_203_200.jpg?v=1789565290"},{"product_id":"anne-geddes-small-world","title":"Anne Geddes - Small World","description":"\u003cp\u003eHB, 238 pages\u003c\/p\u003e\n\u003cp\u003eMultilingual Edition: English, French, German\u003c\/p\u003e\n\u003cp\u003eTaschen, 2017\u003c\/p\u003e\n\u003ch3\u003eLisätiedot\u003c\/h3\u003e\n\u003cp\u003eAn infant curled within a seashell, on a bed of flowers, or on its mother’s body. 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