{"title":"Valokuvaajat B","description":null,"products":[{"product_id":"ren-burri-photographs","title":"René Burri - Photographs","description":"\u003cp\u003eHB, 448 pages, 378 duotone-, 44 colorpictures. \u003cbr\u003e\nPhaidon Press 2004\u003c\/p\u003e\n\u003ch3\u003eLisätiedot\u003c\/h3\u003e\n\u003cp\u003eKnown the world over, especially for his iconic images of Che Guevara, Swiss-born Rene Burri (b.1933) is one of the world’s greatest living photographers. Now, for the first time ever and featuring countless previously unpublished images, Burri’s remarkable and adventurous work is brought together in this career retrospective of over 400 duotone photographs. Edited and compiled by the distinguished writer Hans-Michael Koetzle, in close collaboration with Burri, this unprecedented retrospective is a historic book of the major political events and key personalities of the twentieth century – as seen through the eyes of one photographer. Nothing like this book on Burri has ever been published before, and it is a real coup for Phaidon to be the first to publish his entire career’s work. A member of the prestigious Magnum photo agency, Burri is a photographer whose curiosity and humanity as a photographer have afforded him almost unrestricted access to the major events and personalities of the last 50 years. In this way, Rene Burri Photographs is a fascinating personal account of the major artists, politicians and personalities that Burri has made a part of his life. First achieving international recognition with the seminal photography book on post-World War II Germany Die Deutschen in 1962, Burri has since become one of the most important figures in the history of photography: he is universally revered by his peers for his sympathetic eye and his capacity to capture larger-than-life personalities on film. Rene Burri Photographs comprises the culmination of years of scholarly research by distinguished writer Hans Michael Koetzle into Burri’s important contribution to reportage photography, resulting in an incisive introduction, a series of in-depth essays at the beginning of each chapter and in extended captions that accompany each image. The book is designed by prominent Swiss graphic designer Werner Jeker of ADN Design, Lausanne. In 21 thematically-organized chapters, we accompany Burri across Europe to the Middle East, Vietnam, Brazil, Cuba and beyond; we visit Picasso, Le Corbusier, Yves Klein and Giacometti in their studios; we witness political figures such as Che Guevara in repose, and Fidel Castro at the helm. A work of epic scope in its own right, this book is a magnificent tour de force.\u003c\/p\u003e","brand":"René Burri","offers":[{"title":"Default Title","offer_id":55041940422983,"sku":"9780714843155","price":95.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1010\/2420\/3079\/files\/burri_0512_646_1.jpg?v=1789561177"},{"product_id":"david-bailey-havana","title":"David Bailey - Havana","description":"\u003cp\u003eHB, 176 pages\u003c\/p\u003e\n\u003ch3\u003eLisätiedot\u003c\/h3\u003e\n\u003cp\u003ePhotographer David Bailey has said, self-deprecatingly, that Havana “is just a superficial look, not a soul-searching investigation, a quick impression of a place that is unique in its geographical position.” But he reveals the importance of that quick impression and the depth of his understanding when he describes Havana’s “unique position”—with surreal accuracy—as “much closer to the United States of America than the space station is.” Both are places ordinary Americans cannot visit. To be one of the poorest nations on Earth, almost within spitting distance of the richest makes the poverty of Cuba seem more extreme. Two countries with extreme ideologies; the small one proving that Communism does not work, the other proving that democratic paranoia does work if the power and the money are in place. Havana makes use of Bailey’s mastery of the full range of the medium’s many genres, from vibrant street reportage to crystalline portraiture. This is Havana as an icon of one of the most distinct and revealing cultural divides left in a world hurtling toward homogeneity, Havana as seen by a master at the height of his craft. 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Several of these photographs first appeared in the Surrealist review Minotaure; others were first published in France and Germany in 1960, in a work entitled Graffiti, which accompanied an exhibition that visited New York, London, Milan, Baden-Baden, Frankfurt, Hannover, and Paris. The approach was hugely influential, both for the Surrealists and in the domain of Outsider Art. Accompanying the photographs are selections from previously unpublished writings, including extracts from Brassaï’s own notebooks, in which he noted the presence of elements of graffiti on the walls of Paris that he intended to photograph. The book also contains an interview with Picasso on the subject of graffiti as an art form. This first English language version of this classic title is a beautifully produced edition of what is undoubtedly a seminal work in the history of modern photography.\u003c\/p\u003e","brand":"Brassaï","offers":[{"title":"Default Title","offer_id":55042292515143,"sku":"9782080107138","price":48.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1010\/2420\/3079\/files\/brassai_graffiti_0612_13a_1.jpg?v=1789562960"},{"product_id":"elina-brotherus-the-new-painting","title":"Elina Brotherus - The New Painting","description":"\u003cp\u003eHB, 74 sivua. The photographic works for this book eloquently capture nude and landscape relating to Elina Brotherus' ongoing analysis of nature, light and the human body.\u003c\/p\u003e\n\u003ch3\u003eLisätiedot\u003c\/h3\u003e\n\u003cp\u003eHB, 74 sivua. 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Transforming curves and profiles into highly kinetic compositions, he challenges us to see the familiar in fresh ways. Displaying technical excellence and artistic originality these images redefine the boundaries of nude photography. Born in 1964, Austrian photographer Andreas H. Bitesnich’s work is equally appreciated in the worlds of art and advertising. Previous Bitesnich titles published by teNeues are: On Form, Nudes, Polanude, Travel and Woman. An exciting new collection from a photographic master Beautiful and original images certain to appeal to all who appreciate ground-breaking photography\u003c\/p\u003e","brand":"Andreas H. 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He finds the best in most things. To explain more would be too much. These are just pictures that Mark can do.' Photographer David Bailey is famously a bit more mercurial than the assistant of his title-a massive social force in the 1960s world of Twiggy, Catherine Deneuve, the Beatles and the Who, and a model for the lead in Blow Up. But while he is a master in his medium, he readily accepts that photography is technologically-driven and democratic, and that many family compositions have been taken millions of times, varying only in the identities of their subjects. Bailey also takes such snapshots, images with unusual ease and freedom for him but unusual weight for their ilk. In compiling them, he observed that they seem so easy that even Mark, his assistant, could make them, and the quip became his title. Which is not to say that he doesn’t value these photos very highly: Asked to name his best picture in a recent interview, he answered, 'Snaps of my kids.'\u003c\/p\u003e","brand":"David Bailey","offers":[{"title":"Default Title","offer_id":55042510815559,"sku":"9783865213679","price":45.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1010\/2420\/3079\/files\/bildschirmfoto_2015-04-10_um_13-21-23.png?v=1789563527"},{"product_id":"david-bailey-flowers-skulls-contacts","title":"David Bailey - Flowers, Skulls, Contacts","description":"\u003cp\u003eWhat do flowers, skulls and contact sheets have in common? Not much you might think, but David Bailey begs to differ. 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But perhaps this is too much, and Bailey himself would probably tell you so. For him, the flowers, skulls and contacts are simply different projects that he was working on simultaneously and decided to combine because he likes the idea of eclectic collections. Enough said. David Bailey, born in London in 1938, is one of the most successful photographers of his generation. By the 1960s his work, especially for Vogue, had already made him a cult figure. His numerous books include Trouble and Strife, Nudes, If We Shadows, The Lady Is a Tramp and David Bailey’s Rock ’n’ Roll Heroes. Steidl has published Bailey’s Democracy, Havana, NY JS DB 62, Pictures That Mark Can Do, Is That So Kid, EYE, and 8 Minutes. 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This aspect of the South African history, the 'duty' to 'live apart' while occupying the same space, has been uniquely recorded by the camera of Ian Berry. He first set out for South Africa as a boy of 17 and thus began an incredible career of recording ordinary lives in extraordinary circumstances. Present at the Sharpeville riots in 1960, Berry has returned to South Africa many times during the course of the succeeding decades to capture many of its most significant moments, including the historical election of Nelson Mandela and its remarkable aftermath.\u003c\/p\u003e","brand":"Ian Berry","offers":[{"title":"Default Title","offer_id":55042753659207,"sku":"9780714835235","price":79.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1010\/2420\/3079\/files\/barry_1.jpg?v=1789564269"},{"product_id":"elina-brotherus-artist-and-her-model","title":"Elina Brotherus - Artist and Her Model","description":"\u003cp\u003eHB, 224 sivua.\u003c\/p\u003e\n\u003ch3\u003eLisätiedot\u003c\/h3\u003e\n\u003cp\u003eBrotherus’ emphasis has shifted over the years from a diacritic documentary strategy to larger philosophical questions of life and art. Her deep understanding of art history has a paradoxical effect. You can consider her as a person but also as a model. In her photographs there is a closeness you feel to her but also a cool conceptual distance. This complicates viewing the work in terms of self- portraiture, landscape or a diary. Photographs that can often appear quiet and straightforward on first encounter but become denser and laden with histories as you spend time with them. The 'back stories' which lie behind the beautiful, lush compositions are set in relief as she reaches that somewhat terrifying 'mid career' point and looks back on her life as an artist.\u003c\/p\u003e","brand":"Elina Brotherus","offers":[{"title":"Default Title","offer_id":55042758312263,"sku":"9782930537153","price":35.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1010\/2420\/3079\/files\/41ip5hcskol-_sx415_bo1_204_203_200.jpg?v=1789564285"},{"product_id":"esther-bubley-on-assignment","title":"Esther Bubley - On Assignment","description":"\u003cp\u003eHB, 96 sivua.\u003c\/p\u003e\n\u003ch3\u003eLisätiedot\u003c\/h3\u003e\n\u003cp\u003eThis monograph is dedicated to the career of Esther Bubley, one of America’s leading photojournalists. Bubley’s mentor was Roy Stryker, for whom she worked at the Office of War Information in Washington, D.C., and at Standard Oil in New York City. Under Stryker, Bubley learned to document the spectacle of modern industry and the lives of ordinary people in a fast-changing world. From the early 1940s to the late 1960s, she also freelanced for national magazines, producing forty photo-essays for Life, a dozen more for the Ladies' Home Journal’s famous series, “How America Lives,” and numerous projects for non-profit organizations and major corporations alike. At a time when career options for women were limited, Bubley rose to the top of an overwhelmingly male-dominated field. The 5,000-word essay by photo historian Bonnie Yochelson explains the working life of a photojournalist during the pre-television era when picture magazines dominated the national media. In collaboration with Yochelson, Tracy Schmid, Archivist of the Bubley estate, and Jean Bubley, Executor of the estate, contribute original research and interviews with Esther’s colleagues and contemporaries, highlighting her achievements and accomplishments. The book includes seventy-five of her finest images as well as magazine layouts, which illustrate how Bubley’s photographs were originally seen by millions of Americans. While Bubley’s talent was well recognized at the time—her work was shown in three Museum of Modern Art exhibitions—she was not a celebrity and did little to promote herself. Having received far less attention than she deserves, this book aims to introduce a selection of her best work to a wider audience. Bonnie Yochelson is a photographic historian and freelance curator. In 2001, she co-curated 'Esther Bubley: American Photo-Journalist,' at the UBS\/PaineWebber Art Gallery in collaboration with the Bubley archive and estate. 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Riikka Ala-Harja on kirjoittanut Brotheruksen kuvien pohjalta novellin 10 vuotta myöhemmin, jossa kuvat ja tekstit risteytyvät kiehtovaksi kokonaisuudeksi.\u003c\/p\u003e","brand":"Elina Brotherus","offers":[{"title":"Default Title","offer_id":55042946662727,"sku":"9789519749143","price":28.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1010\/2420\/3079\/files\/12-ans-apres-12-vuotta-myohemmin-12-years-later.jpg?v=1789564882"},{"product_id":"roger-ballen-outland","title":"Roger Ballen - Outland","description":"\u003cp\u003eHB, 156 pp, 80 black and white illustrations \u003cbr\u003e\nPhaidon, 2nd Edition\u003c\/p\u003e\n\u003ch3\u003eLisätiedot\u003c\/h3\u003e\n\u003cp\u003eThe seminal work from photographer and artist Roger Ballen, Outland is now available again in an expanded edition with more than 50 never-before-seen images and new commentary from the artist himself. The culmination of nearly 20 years of work, Outland marked Ballen’s move from documentary photography into the realms of fiction and propelled him into the international spotlight. 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